© 2024 Daisuke Kosugi
Red Forests and Blue Clouds
2022
8 channel sound installation
Duration: 28 minutes
(simultaneus playback of two scenarios. 7 minutes each)
July 2022 at Aichi Triennale 2022, Japan
December 2022 WIELS Contemporary Art Centre, Project room, Brussels
Installation view at Aichi Triennale 2022, ©︎ Aichi Triennale Organizing Committee, Photo: ToLoLo studio
A sound installation, Red Forests and Blue Clouds was originally commissioned for Aichi triennale 2022 in Japan to be presented at the former Ichinomiya nursing school. Approaching the installation, one hears dialogue and descriptions of scenes involving various characters, including a man, a young girl, her mother, a nurse and someone who is evidently a patient, an elderly man and woman, and some children, spoken in subdued tones through speakers with a sense of “the unspoken” behind the audible sounds.
Red Forests and Blue Clouds explores, in abstract terms, the tension between “reality as data in visible form” conveyed through screens, manipulated by visual technology to present only what we want to see, and “reality as lived by flesh and blood bodies.” In satellite imaging utilizing invisible light wavelengths, forests are sometimes displayed in red and clouds in blue. If we attune our senses to the sound of the work, we can catch glimpses of everyday life during the pandemic and the outbreak of wars. This poses challenges to our lived reality, and to the imagination required to see through a world saturated with data and simulations.
Red Forests and Blue Clouds was modified to a two-channel video installation for a solo exhibiton at WIELS , Brussels
Writer/Director: Daisuke Kosugi
Casts:
Miho Inatsugu
Takahiro Takigoshi
Kana Muraoka (Yaneura Heights)
Momoji Yamada (letre / whey)
Riko Ogihara, Rikako Kudoh, Kenshin Kobayashi(Include P.D Co,ltd.), Kotaro Nakamura (PRODUCTION ACE In.), Megumi Yamaguchi (GEM Co.,Ltd)
Production manager: Shinya Aoyama
Line producer: Hatsune Yagi
Sound engineer/ Sound design: Shintaro Kamijyo
Assistant Engineer: Hiroaki Kanachi
Special thanks: Shihoko Iida, Chie Masuda
Commissioned by Aichi Triennale 2022
With support from Office for Contemporary Art Norway and Arts Council Norway
Reviews:
- PEACE AND QUIET by Guo Juan at Artforum
- The Aichi Triennale Tracks the Heartbeat of Post-Pandemic Possibility by Christopher Whitfield
at FRIEZE Magazine